Classical and Folk Dances of Assam – Assam Art & Culture Notes

Classical and Folk Dances of Assam (Assam Art & Culture) Notes for APSC & Govt job Exams

Traditional Dances of Assam

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Classical and Folk Dances of Assam

Assam state is home to a number of indigenous tribes and races, each of which has its own fairs and festivals. This has led to the propagation of innumerous dance forms throughout the region. The different dance forms in the state can be broadly categorized under two headings, classical dances and folk dances.

Classical Dances of Assam

Bhaona – This dance form is basically performed in the village Namghars and Satras, in order to promote the Vaishnavite culture in Assam. It is actually a theatrical depiction of the one-act play Ankiya Nat, initiated by Sankardeva. An integral part of the dance is the Sutradhara, who recites the slokas, sings, dances and explains the various stages of Bhaona in detail. Another form of dance included in Bhaona is the Natuwa or Cali dance. One of the subdivisions of this dance form is the Hajowaliya, which is basically a woman’s dance and is the combination of both Tandava and Lasya.

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Oja Pali – Oja- Pali is a form of classical dance, representing the rich tradition and cultural heritage of Assam. Oja and Pali are actually a group of chorus singers and dancers, with Oja as the leader and Palis as his assistants. A total of three or four Palis may be required for the dance and the principal one among them is called the Daina Pali. Apart from dancing, they also sing and play small cymbals, relating stories from the Epics and the Puranas.

Satriya Nritya – Satriya dance is a renowned classical dance of the state of Assam and was introduced by Srimanta Shankardev to propagate the religion of Vaishnavism. This form of dance is one of the eight principal classical dance forms of India and has a great cultural significance in the social scenario of the state.

Folk Dances of Assam

Bihu Dance – This is the most popular folk dance of Assam, it is related to the Bihu festival, which is celebrated with much pomp and glory throughout the state. The festival is mainly a celebration of the different phases of cultivation and is observed by all the Assamese, irrespective of their caste and creed.

Jumur Nach – This is a typical folk dance performed by the tea community in the state, locally called ‘Chah Baganar Jumur Nach’ or the Jumur dance of tea garden. Boys and girls hold each other’s waist and dance to the tunes of the Jumur dance, with exact precision of foot work. Watching them sway to the tunes of the song is indeed a very pleasant experience.

Ali Ai Ligang dance – The Mishing community of Assam performs a dance while making an offering to their deities during the Ali Ai Ligang festival. This form of dance is seen only in the north-eastern parts of the state, namely Sonitpur and Lakhimpur.

Deodhani – Deodhani is a dance form associated with the worship of the snake goddess Manasa. This dance is performed by a girl who, in a trance-like inspired state, goes on dancing to the beats of the Ciphung (flute) and the Kham (drum). At one stage of the dance, she even takes a sword and a shield performing a virile war dance, honoring various gods and goddesses, like Shiva, Lakshmi etc.

Barpeta’s Bhortal Nritya – This form of dance is mainly a propagation of the Sankari culture of Assam and was originally developed by the well known Satriya artist, Narahari Burha Bhakat.

Dhuliya and Bhawariya – This is basically a form of theatrical performance, using masks, drums and cymbals.

Bodo’s Bagurumba – This is one of the best folk dances performed by the Bodo community of Assam. A number of Bodo girls, dressed in colorful apparels, dance to the tune of the tribe’s traditional musical instruments, with slow steps and outstretched hands.

Khamba Lim – This is a typical folk dance of Assam, performed by two groups of men and women, who stand in two rows.

Important Books for Assam General Knowledge 
  Economy of Assam
  Environment & Ecology
  Geography of Assam
  History of Britain
  Assam – Art & Culture
  History of Assam – Ahom and British Period
  History of Assam – Ancient Period

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Literary works of Sankardev (Assam Art & Culture) – APSC Exam Notes

Literary works of Sankardev (Assam Art & Culture) Notes for APSC, UPSC and State Exams

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Literary works of Sankardev

Sankardev written a large body of literary works.  He opened the floodgates and inspired others like Madhavdev to carry on. His language is lucid, his verses lilting, and he infused bhakti into everything he wrote. He began attending Mahendra Kandali’s tol at the age of 12 and soon wrote his first verses karatala-kamala

His magnum opus is Kirtana-ghosha, a work so popular that even today it is found in many household in Assam. It contains narrative verses glorifying Krishna meant for community singing.

Poetic works (kavya)
  • Kirtana-ghosha
  • Harischandra-upakhyana
  • Rukmini-harana
  • Ajamilopakhyana
  • Bali-chalana
  • Kurukshetra-yatra
  • Gopi-uddhava-samvada
  • Amrita-manthana
  • Krishna-prayana-pandava-niryana
  • Kamajaya
  • Parijat-haran
  • Kaliya-daman
  • Ram-vijay

 

Bhakti Theory
  • Bhakati-pradipa
  • Anadi-patana
  • Nimi-navasiddha-samvada
  • Bhakti Ratnakara (in Sanskrit)
  • Gunamala

Transliteration

  • Bhagavata (Book VI, VIII, I, II, VII, X, XI, XII, IX, X, XI & XII)
  • Ramayana (Uttarakanda, supplemental to Madhav Kandali’s Saptakanda Ramayana)
Drama (Ankia Nat)
  • Cihna Yatra
  • Patni-prasada
  • Janma-jatra
  • Kangsa-badha
  • Keli-gopala
  • Srirama-vijaya

Sankardev was the fountainhead of the Ankiya naat. His Cihna Yatra is regarded as one of the first open-air theatrical performances in the world.


Songs
  • Borgeet – these are devotional songs, set to music and sung in various raga styles. The songs themselves are written in the ‘Brajavali’ language.
  • Bhatima
  • Deva bhatima
  • Naat bhatima
  • Raja bhatima

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Ekasarana Dharma (Assam Art & Culture) – APSC Exam Notes

Ekasarana Dharma (Assam Art & Culture) Notes for APSC, UPSC and State Exams

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Ekasarana Dharma is a neo-Vaishanavite religion propagated by Srimanta Sankardeva in the 15th-16th century in the Indian state of Assam. It is focused on devotion (bhakti) to Sril Krishna in the form of congregational listening and singing his name and deeds.

The simple and accessible religion attracted already Hinduized as well as non-Hindu populations into its egalitarian fold. The neophytes continue to be inducted into the faith via an initiation ceremony called xoron-lowa, usually conducted by Mahantas who were heads of monastic institutions called Sattras who generally draw apostolic lineage from Sankardev.

Institutions propagating Eka Sarana like sattra (monasteries) and village Namghar (prayer houses), had profound influence in the evolution of the social makeup of Assam. The artistic creations emanating from this movement led to engendering of new forms of literature, music (Borgeets), theatre (Ankia Naat) and dance (Sattriya dance).

The central religious text of this religion is Bhagavat of Sankardeva, which was rendered from the Sanskrit Bhagavata Purana by Srimanta Sankardeva and other luminaries of the Eka Sarana school. This book is supplemented by the books of songs for congregational singing: Kirtan Ghoxa by Sankardeva and Naam Ghoxa and Ratnavali by Madhabdev, written in the Assamese language.

The religion is also called Mahapuruxiya because it is based on the worship of the Mahapurux, an epithet of the supreme spiritual personality in the Bhagavata and its adherents are often called Mahapuruxia, Sankari etc. Sankardeva and Madhabdev are the principal preceptors of the religion.

Though Ekasarana acknowledges the impersonal (nirguna) god, it identifies the personal (saguna) one as worshipful which it identifies in the Bhagavad-Puranic Narayana.

The cari vastu or the Four Principles defined this religious system are

  1. Naam — the chanting and singing the name and the qualities of God. In general, only four names are most important: rama-krishna-narayana-hari
  2. Deva — worship of a single God, that is Krishna.
  3. Guru — reverence of a Guru, or Spiritual Preceptor.
  4. Bhakat — the association or the congregation of devotees

Sankardev defined the first, second and fourth of these, whereas Madhavdev introduced the third while accepting Sankardev as the guru for himself and for all others who accepted his faith. The four principles are revealed and their meaning explained at the time of xonron-lowa.

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Paintings of India (Art & Culture of India) – APSC Notes

Paintings of India – Art & Culture Notes for APSC, UPSC & State Exams

 

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The tradition of paintings has been carried on in the Indian subcontinent since the ancient times. With time, Indian classical paintings evolved to become a sort of blend of the various traditions influencing them.

In the beginning Indian painting was essentially religious in purpose. As time passed by Indian painting became a fusion of various culture and traditions. During the colonial era, Western influences started to make an impact on Indian art.

 

INDIAN PAINTING GENRES

Cave Painting : Cave paintings date back to the prehistoric times. The finest examples of these paintings comprise of the murals of Ajanta, Ellora, Bagh, Sittanavasal etc. It reflect an emphasis on naturalism.

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Madubani Painting : Madhubani painting originated in a small village known as Maithili of Bihar. Initially, the women folk of the village drew the paintings on the walls of their home, as an illustration of their thoughts, hopes and dreams.

Miniature Painting : Miniature paintings are handmade paintings, which are quite colourful, but small in size.   The peculiarity of these paintings is the intricate and delicate brush work, which lends them a unique identity.

Mughal Painting : Mughal painting is a particular style of Indian painting, generally confined to illustrations on the book and done in miniatures. It emerged, developed and took shape during the period of the Mughal Empire. Mughal painting reflects an exclusive combination of Indian, Persian and Islamic styles. 

Mysore Painting : Mysore painting is a form of  classical South Indian painting, which evolved in the Mysore city of   Karnataka. These paintings are known for their elegance, muted colours, and attention to detail. The Themes for most of these paintings are Hindu Gods and Goddesses and scenes from Hindu mythology.

Rajput Painting : Rajput painting originated in the royal states of Rajasthan. Each Rajput Kingdom evolved a distinct style, but with certain common features, Rajput paintings depict a number of themes, events of epics like the Ramayana and the Mahabharata, Krishna’s life, beautiful landscapes, and humans. Miniatures were the preferred medium of Rajput painting.

Tanjore Painting : Tanjore Painting is one of the most popular forms of classical South Indian Paintings. It is the native art form of Thanjavur (also known as Tanjore) city of Tamil-Nadu. These dense composition, surface richness and vibrant colours of Indian Thanjavur paintings distinguish them from the other types of   paintings.   The themes for most of these paintings are Hindu Gods and Goddesses and scenes from Hindu mythology.

Pattachitra : Pattachitra refers to the folk painting of the state of Orissa, in the eastern region of India.‘Patta’ in Sanskrit means ‘Vastra’ or   ‘Clothings’ and ‘Chitra’ means paintings. The tradition of Pattachitra is closely linked with the worship of Lord Jagannath. The painters use vegetable and mineral colours without going for factory made poster colours. They prepare their own colours.

Bengal schools of painting : The Bengal School of Art was an influential style of art that flourished in India during the British Raj in the early 20th Century. It was associated with Indian   nationalism, but was  also supported and promoted by many British art administrators. The Bengal School’s influence in India declined with the spread of modernist ideas in the 1920s.